is a series of modular sculptures and textile pieces installed alongside archival documents such as a copy of the original Canandaigua Treaty of 1794. The treaty marks the agreement between the Five Nations of Haudensausenee Confederacy and the US Government where native lands in New York State were exchanged for various goods such as textiles. Through modular constructions that relate to the understanding of space and delimitation as well as textile pieces made of calico fabrics, the Canandaigua-project mimics the aesthetics of a ‘closeout sale’ and minimalism. It references the devastating agreement of trade of goods for land that took place between the Native Americans and the US Government.